Limited Edition Prints
Each limited edition piece is a giclée printed on archival paper, with a white border, hand numbered, and signed by Sarah.
Each size is its own limited edition. When a size sells out, it will not be reprinted.
The archival pigments are rated for 100 years of display life without fading.
The Crossing
The Blue Hour: Sovereign
There are places where the world thins. Where if you are still enough, something on the other side becomes visible.
The foxes know where these places are. They have always known — ancient guides moving quietly between what is seen and what persists just beyond our ordinary vision. Roses climb luminous above them, rooted in the world and reaching into another. Clouds become ground beneath their feet.
It is a quiet pairing available to anyone present enough to find it.
—
This limited edition captures the composition of The Crossing, an original painting in acrylic and mixed media with resin on panel. The original work—with its full dimensionality of layered texture and luminous resin surface—is held in a private collection.
The Blue Hour: Sovereign — The Crossing
The blue hour is the space between day and night. The sky leans in. Wild things hush. These paintings live there.
In The Crossing, foxes move quietly through a world that is both this one and another — clouds beneath their feet, roses climbing luminous above them, rooted in the earth and reaching beyond it. Ancient guides. Unhurried. Certain of something we've half-forgotten.
Archival pigment on fine art paper, hand-numbered, signed. Each print includes a white border. Available in three sizes — 16×20, 24×30, and 32×40. When an edition sells out, that size is retired permanently.
Legacy Collection
Among the Soft Things
Some creatures carry their beauty like a secret. Not hidden — just unhurried. Present only to those who slow down enough to receive it.
He stands among roses mid-bloom and roses past it, among gold leaf and old marks and flowers that have no single name. The world around him is layered, accumulated — as if beauty doesn't arrive all at once but builds itself quietly over time.
At first glance, you may think you are looking at a photograph. You are not. Every feather, every petal, every mark on the original was painted by hand.
Original: Acrylic & mixed media on panel with resin · Private collection
Stillness Speaks
There is a particular quality of quiet that is not empty.
The ibis has always known this. Ancient and unhurried, it has stood at the edge of seen and unseen things since before we had words for either. Head bowed, feathers holding every color at once, standing among flowers that drift rather than root.
This is not stillness as absence. It is stillness as arrival.
Original: Acrylic & mixed media on panel with resin · Private collection
Salt Bloom
Some things surface slowly.
The pelican does not perform. He simply occupies — fully, without apology — the space he has always belonged to. One eye open. A magnolia branch above him, delicate against everything he is. The ground behind him holds its own history, marks and letters pressed beneath layers of sage and gold like memory that never quite disappears.
This is a painting about what endures. What rises, quietly, from underneath.
Midnight Garden
There is a particular kind of beauty that only appears in the dark.
A chandelier burns against a deep and wordless night — roses opening around it, butterflies drawn to the light as if light is a place you can live inside. A betta fish moves through the upper corner, red and unhurried, as if he has always belonged to this world and always will.
Everything here exists outside of ordinary logic. And yet everything here feels, somehow, exactly right.
Into the Twilight
Four hares move through a darkening field beneath four phases of the moon.
Sarah painted this before she had four children. The image came first — fully formed, insistent — and only later did its meaning become clear. This is how some things arrive. Not explained. Not planned. Simply known, in a place deeper than knowing.
Each hare is distinct. Each moon is different. Together they make something that could not exist any other way.
This painting has never left Sarah's hands and is part of her personal collection.
